SEABISCUIT: HOLLYWOOD FILMED THE LEGEND, NOT THE FACT!
Grass Valley Daily Union, Aug 1, 2003
Despite opening weekend box office figures that were less than impressive,
Seabiscuit may be this summer's best film. "Oscar" has even crept
hesitantly into some reviews. If the film turns up a winner at Academy
Award time, director-screenwriter Gary Ross surely deserves much of the
credit.
Reviewers and other journalists writing in advance of the film's release
invariably praised Ross' authenticity, citing his attention to detail and
concern for historical accuracy. Now that the film is out, old timers who
remember Seabiscuit's final race don't see it that way.
Yes, Ross blew up 3000 dummies, dressed them in Depression-era clothes with
make believe Stetsons, and seemingly filled the grandstand. The live
extras looked as though they had just stepped out of the 1930s. They even
held Daily Racing Forms printed just for the film, complete with articles
about Seabiscuit and War Admiral lifted from old Forms.
But when Ross got to the climax of the story - the 1940 Santa Anita
Handicap that puts everyone in a feel good mood as they leave the theater -
he belied all that hype put forward in numerous interviews by cast and crew
about his devotion to authenticity.
For reasons known only to Ross and Laura Hillenbrand, author of the book on
which the film is based, the movie offers a bowdlerized version of the
climactic contest, one in which the only connection to reality is
Seabiscuit's victory in the race that made him racing's all-time money
winner.
Ross must have taken much too literally a line from the Jimmy Stewart film
of the early 1960s, "The Man Who Shot Liberty Valance." Stewart played a
senator who had risen to fame and political office because his town's
residents thought he had single-handedly killed the local bad man. The
legend grew over the years despite the lingering doubts of the town's
newspaper editor. In the end, Stewart admitted to the journalist that he
wasn't the hero, that the honor belonged to someone else. The editor then
spoke the film's most famous line, to the effect that the legend, not the
fact, was what the public needed to hear.
Ross did just that in shooting the 1940 race. At the filming last December
he put saddle cloth #9 on Seabiscuit instead of cloth #1. An insignificant
deviation from the fact? Not at all.
Seabiscuit was entered that day with a stablemate, Kayak II, who had won
the 1939 running while Seabiscuit was temporarily retired due to an injury.
As racing enthusiasts know, and Ross claims to be one of them, an entry
carries cloths #1 and #1A. Seabiscuit in 1940 was #1; Kayak #1A.
That's important because minutes before the race Seabiscuit's owner,
Charles S. Howard, went to track officials and "declared to win" with
Seabiscuit and so instructed his jockeys. If his two-horse entry had
beaten the field as they neared the wire, Kayak would be held back if
necessary so that Seabiscuit could win and establish that money-winning
record. While Howard's declaration put a stigma on Seabiscuit's victory,
it was all perfectly legal. 70,000-plus fans at the track and millions of
others glued to their radios knew it before the race began. Kayak finished
second, with many on-lookers, including a writer for the Racing Form,
under the impression that Kayak's jockey did little to encourage his mount
to win.
Neither the book nor the film hints at Howard's action. Along with that
other now disproven legend that Seabiscuit was 1938's leading newsmaker,
Hillenbrand's best-seller established the myth of Seabiscuit's untainted
victory. But she at least had Kayak in the race. Ross, true to the
authenticity of that #9 saddle cloth, didn't even mention Kayak.
Both Hillenbrand and Ross wanted a Hollywood ending for their story.
Including Howard's declaration would have spoiled the fairy tale finale.
Better, apparently, to perpetuate the legend than the fact.
- - -
[Ralph E. Shaffer, professor emeritus in history at Cal Poly Pomona,
watched Seabiscuit and Kayak run at Santa Anita in 1940. He can be reached
at reshaffer@csupomona.edu]